FREQUENTLY ASKED CARNATIC QUESTIONS IN EXAMS


FREQUENTLY ASKED QUESTIONS 

☆. What are the uses of learning music ?
@ To develop listening skills.
@ To improve memory power.
@ To improve concentration. 
@ Music gives pleasure.

☆ SANGEETHAM - It is an Indian term for music. A group of music sounds, which are called Swaras that give melody & pleasant feelings to the ears, is called Sangeetham. 

☆. Shruthi 
@ Shruthi is an audible sound that can be distinct, it is a musical sound that a well-trained human ear is capable of distinguishing. It is the keynote or Adhara Shadjam, based on which all other swaras are derived.

☆. Swara's
@ Swara's is a musical note which is pleasing to the ears. 

☆. How many Swars are there? Name them: -
@ 7 swaras are there Shadjam(s), Rishabham(r), Gandharam(g), Madhyamam(m), Panchamam(p), Dhaivatam(d), Nishadam(n).

☆. Name 2 types of swaras ?
@ Prakruyhi swaras or Achala swaras - s & p
Vikruthi swaras or Chala Swaras - r g m d n
In combination, ACHALA & CHALA swaras yield 12 different musical notes & they are called Dwadhasa Swarasthanas. 

☆. Difference between Arohanam & Avroham& what is Moorchana?
@ AROHANAM: Series of swaras in the ascending order of pitch.
@ AVAROHANAM: Series of swaras in the descending order of pitch.
@ MOORCHANA: Arohanam & Avarohanam together

☆. Sathyai
@ A series of swaras, beginning with s & ending with n, is called Sathyai. 5 Sthayi
1. Anumandra Sathyai - 
s.. r.. g.. m.. p.. d.. n..
2. Mandra Sathyai
s. r. g. m. p. d. n.
3. Madhya Sathyai 
s r g m p d n
4. Tara Sathyai 
S R G M P D N
5. Ati - Tara Sathyai 
S' R' G' M' P' D' N'

VERTICAL BAR (|) - Tala division of Drutha or Anudrutha or Laghu.

DOUBLE VERTICAL BAR (||) - end of 1 Tala cycle 

DASH (-) - Separation of phrases. You must Sing so that each phrases is continuous & the notes are only split where the dashes occur.

☆. PURVANGA 
@ The group of first 4 swaras of the Spatha Swara's - s, r, g, m

☆. UTTHARANGA
@ The group of the last 3 notes - p, d, n 

☆. DATHU
@ The swara part of musical composition 

☆. MATHU
@ The Sahitya part of a musical composition 

☆. AKSHARA KALA 
@ Unit time in music 

☆. THOURYA TRIKAM
@ Vocal music, instrumental music & dance, all 3 combined together is referred to as THOURYA TRIKAM.

☆. What is Thrikakaala , Explain ?
@ THRIKAKAALA - Kala refers to the speed of the musical piece. There are 3 Kalas 
1. PRATHAMA KALA: First degree of speed, one note is sung in one Akshara Kala.
2. DWITIYA KALA: Second degree of speed, 2 notes are sung in 1 Akshara Kala. Twice faster than prathamkala.
3. TRITIYA KALA - Third degree of speed, 4 notes are sung in 1 Akshara Kala. Twice faster than Dwitiyakala.

☆. AVARTHA
@ It is the completion of a Tala angas or time measure.

☆. ANGAS, SHADANGES
@ In order to facilitate easy & accurate method of reckoning musical time. 6 angas have been devised. They are known as Shadanges or 6 Angas. They are 
1. LAGHU - I - 3/4/5/7/9 Akshara's - 1 beat + count of the fingers
2. DRUTHA - O - 2 Akshara's - 1 beat + 1 wave (usi / visarjitam)
3. ANUDRUTHA - U - 1 Akshara - 1 beat of the palm on the lap
4. GURU - 8 - 8 Akshara's 
5. PLUTAM - I - 12 Akshara's 
                        8
6. KAKAPADAM - + - 16 Akshara's 

☆. Which is the place of Mayamalava Gowla Raga?
@ 15th Melakartha Raga 

☆. What is the difference between Jathi & Tala ?
@ Jathi indicates the number in Laghu.
@ Tala indicates the combination of Laghu & Drutha.

☆. How many Jathis & Talas are there?
@ There are 5 Jathis & 7 Talas.

☆. Name the Jathis & Talas with angas 
@ Jathis -
1. Trishra - 3 kriyas
2. Chaturashra - 4 kriyas
3. Khanda - 5 kriyas
4. Mishra - 7 kriyas
5. Sankeerna - 9 kriyas 

@ Talas / Sapta talas - Musical time or measure
1. Dhruvatala - 1 Laghu 1 Drutha 2 Laghu - 14 Akshara's 
2. Mathyatala - 1 Laghu 1 Drutha 1 Laghu - 10 Akshara's 
3. Roopakatala - 1 Drutha 1 Laghu - 6 Akshara's 
4. Triputatala - 1 Laghu 2 Drutha - 7 Akshara's 
5. Jhampetala - 1 Laghu 1 Anudrutha 1 Drutha - 10 Akshara's 
6. Attatala - 2 Laghu 2 Drutha - 14 Akshara's 
7. Ekatala - 1 Laghu - 4 Akshara's 


☆. What does Geetha means & what are the types of Geetha ?
@ Geetha generally means a song. The union of Dhatu & Matu is also known as Geetha, ie., the union of music & words ( Swaras & Sahitya) is said by the learned to constitute a Geetha. Geethas are the simplest of melodies. The term Geetha literally means a song. But in music it signifies a particular type of composition.
Geethas are learnt after a course in the preliminary swaras exercise & Ahankara. There are Geethas in all the Septatalas & their varieties. 
Geethas are of 2 kinds - 
1. Samanyageetha ( Sanchari / Sadharana / Lakshyageetha)
2. Lakshanageetha

SAMANYAGEETHA - Usually in praise of God,musical luminaries & Acharyas. 

LAKSHNA GEETHA - In Lakshana Geetha, Sahityam will describe the lakshana of Raga in which the Geetha is set to. There will be a small Deiva Stuti too.
1. MELAM / JANYAM : Is the Raga a Melakartha or a derivate Raga ( janya raga) based on a melam.
2. BASHANGA / UBHANGA RAGA
3. Whether the Raga is AUDAVA, SHADAVA or SAMPOORNA RAGA.
4. AROHANA & AVAROHANA of the Raga.
5. VAKRAM / VARJAM - If there's any Vakram or varjam in Arohana / Avarohana of the Raga. 
6. JIVA , NYASA( ending note) & GRAHA (starting) swaras of the Raga. 

GANAKRAMA - Order of singing a Geetha 
Geethas are sung from the beginning to the end without repeating the Avatars.
Different categories of SADHARANA GEETHA 
1. PILLARI GEETHA - Geethas written in praise of God like Vighneshwara, Mahesara, Mahavishnu etc are called PILLARI GEETHA.
EXAMPLE : Sri Gananatha in Malahari Raga, Rupaka Tala.

2. GANA RAGA GEETHA - Geethas written in Gana Ragas like Nata, Gowla, Arabi, Sri Ragam, Varaali are called GANA RAGA GEETHAS.
EXAMPLE : Re Re Sri Rama in Arabi Raga, Triputa Tala.

3. RAKTHI RAGA GEETHA - Geethas set to Rakthi Ragas like Mohana & Kalyani are called RAKTHI RAGA GEETHAS. 
EXAMPLE : Vara Veena in MohanaRaga, Rupaka Tala.

4. RAGA MALIKA GEETHA - In a same geetha, if more than 1 Raga is used, it's called RAGA MALIKA GEETHA. This type of Geethas are not in use today. 

VARNAM
@ The Sahityam part of a Varnam is very minimal, & mostly of Bhakti or Srungara Rasam.
@ Varnam are compositions under Chitra - Tharav- Margam. So there are 4 Aksharams per Kriya.
@ A Varnam has 2 parts - 
1. PURVANGA 
2. UTHARANGA
PURVANGA - 
1. Pallavi 
2. Anu Pallavi 
3. Muukthayi Swarams
UTTHARANGA 
1. Charanam
2. Ethugada Swarams ( Chitti Swarams)

Types of Varnams
1. THANA VARNAM 
2. PADHA VARNAM 
3. RAGAMALIKA VARNAM

☆. Name 3 famous Carnatic Violin Artists ?
@ L.Subramaniam , Delhi P Sundar Rajan, Kala Ramnath

☆. Name few famous Carnatic Flute Artist ?
@ N.Ramani, Vijay Venkat, K.Bhaskaran, & Shashak Subramanya 

☆. Name few famous Veena Artist ? 
@ E.Gayatri, S.Balachander, Kalpakam Swaminatham, Rugmini Gopalakrishnan

☆. Biography of Purandara Dasaru 
☆. What are the parts of Violin , Flute

☆ Name 5 Composers who composed Geethas 
@ Enadi Sisters - Lakshmi, Narayani
@ Govindhacharya
@ M. S . Ramaswamy Iyer 
@ Muthialpet Seshayyar / Kulla Seshayyar
@ Mysore Vasudevacharya
@ Paidala Gurumurthy Sastry
@ Patnam Subrahmanya Iyer 
@ Rama Mathya
@ Ramanadapuram Seenuvasa Iyengar
@ Selam Meenakshi & daughter's Pappa, Radha 
@ Sri Purandara Dasaru 
@ Thiruvotriyur Thyagayyar
@ Thiruvaadi Krishnaswamy Iyer 
@ Thirukkodikkaval Krishnayyar
@ Tiger Varadhachariar
@ Venna Kuppaiyar 
@ VenkataMakhi

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